That's blasphemy against his religion, so he would never do that anyway, and it doesn't affect him. But he would be in full support of lopping your head if YOU drew Mohammed in the US.
I'm supposed to give a flying fuck about rap music and professional sports?!
When heterosexuality, marriage, children, and motherhood are marked as evil at worst and boring at best on every corner of culture (education, media, entertainment, politics), and being an alphabet whore is encouraged, celebrated, and claimed to be a guarantee that you will have an amazing life of non-stop fun and pleasure, women are going to naturally flock to the latter. Or at least claim they are if they want to be respected and be part of the flock.
I always saw it as a Trojan horse for all manner of corporate abuse, the same that we see in streaming services. Which is why I wanted nothing to do with it.
Final Fantasy VII makes a point of saying that AVALANCHE's terrorist activities were completely pointless and morally wrong, and all they accomplished was getting a bunch of innocent people killed. SHINRA Corporation didn't care in the least bit about losing a couple reactors or even a full sector of the city because they had other plans in mind and saw Midgar as a stopgap for something bigger. Near the end of the game, Barret even admits there was nothing right about what he did.
And if we're going by what the shitty remake is doing, which this memer most definitely is because I doubt it's the type to play anything made before 2020, then it's still not doing the argument any favors. In the remake continuity, AVALANCHE are completely ineffectual, and if left to their own devices, would have only committed some minor vandalism on the reactors that SHINRA would have had no issues repairing. All the big explosions that happened were the result of SHINRA blowing the reactors up themselves in tune with AVALANCHE's bombs, and AVALANCHE as a whole is only ever able to operate because various political factions in SHINRA, some in opposition of the others, let them for their own corrupt reasons. Comparing Antifa to Remake!AVALANCHE is tacitly admitting that it's just a tool of the very corrupt politicians they claim they're fighting.
Hopefully that means when winter rolls around, the retards will all freeze to death.
It's not even that it's edgy. Its jokes are by and large just lame. Too many LOL, SO RANDOM non-sequiturs that feel like the writers filled out a mad-lib. Too many "let's drag out something unfunny and hope that makes it funny" instances. Too many moments of characters stammering awkwardly at each other because of some misunderstanding between them. I can't stand it and I have no idea how so many people found this show funny.
Agreed. Now we have a bunch of Baldur's Gates fans...who've only ever played BG3. With its fakeness, its gayness, fanfic-tier characters, and contempt for its predecessors. And they will never even consider touching those predecessors because they're too old.
Neither should Bethesda.
That's me whenever I encounter someone who's such a "huge fan" of something they've never bothered to read the source material of.
Funnily enough, he later on issued out his own complaints about The Veilguard, admitting he didn't care for the art direction, the gameplay, and the lack of choice transfers from previous games. So it's okay when he criticizes the game, but not others, particularly those of a certain political bend that doesn't match his.
There were multiple writers, though I'm going to guess AntonioOfVenice is specifically referring to David Gaider. Gaider, despite having left Bioware sometime after Inquisition, recently resurfaced online as an internet tough guy to start talking smack against everyone disliking The Veilguard. He also started throwing shade at the Mass Effect team, claiming they were shown favoritism by EA over the DA team and they treated him badly during his time working on the story for Anthem (with all his contributions to it left on the cutting room floor). All the while proclaiming he was one of the few stalwart heroes at Bioware trying to uphold the old-school RPG principles of yore when the company wanted to turn more to action games. Even though he was one of the many onboard with the changes DA2 was making to the series with its "press a button, something awesome has to happen" design "philosophy."
Honestly, Gaider's been coming across as a bitter old man lashing out in anger over the fact that his precious Dragon Age franchise so sharply declined. And that it's obviously all everyone else's fault.
Jerry Seinfeld: That's a shame.
Thematically, The Witcher series always felt like what Dragon Age desperately wanted to be, including Origins, but never had the guts to fully commit to. Or possibly the talent.
I know all the woke leftist crap but did they ever read books or played games written before 2015?
They sure did: Harry Potter! And nothing else!
Anyway, Dragon Age: Origins was a game seven years in the making, made while Baldur's Gate was still fresh in the devs' minds and while they still wanted to make a game like that. Not only a game like that, but one set in a world of their own making without Wizards of the Coast breathing down their necks or charging them for the license.
Unfortunately, seven years is a long time. People often change. Or perhaps they become emboldened about what they really want. Whatever the case may be, I think it's pretty clear that at some point, Origins was not the game a lot of the devs and writers wanted to make, including Mike Laidlaw, David Gaider, and Jennifer Hepler. They did not want to make an old-school dark high fantasy spiritual successor to Baldur's Gate that took its narrative cues from A Song of Ice and Fire; they wanted something that looked more akin to what Joss Whedon would have made if he wrote a fantasy. Heck, that was already bleeding into a lot of the writing in Origins; if you were to look at interviews on the various companions, you'll see the writers claiming an awful lot of them were inspired by characters from Buffy the Vampire Slayer. That was especially evident with Alistair, a wishy-washy frontline combatant who constantly cracks bad jokes to hide how insecure he is, and was written purely to appeal to a female mindset.
And I suspect that growing divide within Bioware is why DAO's original lead, Brent Knowles, departed shortly after the game's release. He had his ideas for how the series should look, and most everyone else had others, and while he might have been able to tard wrangle them for most of DAO's development, either he was losing out or he did not want to work with these people anymore. Especially with EA now looming over the company, seeing no value in an old-school fantasy RPG, and wanting everything to be more like Mass Effect. Which I'm sure the other DA devs wanted to copy as well.
That's what I think anyway. The devs were hostile to Origins throughout DA2's development, throwing shade at it in every interview, which leads me to think they were indirectly attacking Knowles and that his parting was not a friendly one. It's also why they sought to distance DA2 from DAO by giving it a wildly new art direction that only a bunch of blue-haired faggots would think looked good, and wrote the game as a soft reboot of the franchise where a huge bomb would be dropped onto the setting, changing it irreversibly...after only one game in.
Hm, I guess these men really are women deep down. Hating people who have what they don't, particularly physical traits, and wanting to tear them down is a distinct feminine behavior.
Sounds no different from every other woman then.
Pretty much why every company eventually comes to suck. The artistic and technological visionaries that build them up inevitably get replaced by bean counters who only ever want to see numbers go up.
He's missing the red MAGA hat.
Trevor Noah is the most hateful host I can think of. For a lot of these hosts, who used to be comedians, there was an innocent time where they could be considered funny. Trevor never had that going for him; he was unfunny and unhinged right out the gate and was already spreading his anti-White, anti-American, and anti-West rhetoric with pure venom straight from his homeland in South Africa.
His saving grace is that he's practically gone now, ever since he was functionally kicked out of the Daily Show.
I love the sound of crickets. It's so soothing and nostalgic.
To think: all Kimmel needed to do was keep his stupid fucking mouth shut. He didn't need to say a WORD about Kirk, didn't need to even acknowledge him, his death, or his very existence, and he'd still have his show to push his propaganda all he liked. But like all leftists, the beady-eyed fuck couldn't stop himself. He couldn't resist the urge to slam the right, attack Kirk, and claim the assassin wasn't one of his own. Despite all the overwhelming evidence proving otherwise by the time he threw his accusation out AND the row of widely-publicized cancelations and firings happening in the wake of similar retards who couldn't close their whore mouths.
It is touching if you rotted your brain on too much women's literature.
You're right. And the second greatest killer is actually racism (or rather, all isms). Covid is #3.
It's a possibility. I don't think for a second any politician or rich person has altruistic goals in mind whenever they adopt a minor or take in a poor widdle wefugee.
But then, we are dealing with feral animals here. Like chimpanzees, they seem cute when they're young, but as they grow older, those violent instincts begin to flare up.