You need Triss Merigold in there, with regards to the Netflix casting.
Also I don't mind Aloy. She's kind of homely-looking and detailing the facial fuzz is a funny choice, but I dunno, it kinda fit the illiterate tribal motif they had going on.
Correct, the telescope is still actually physically there so it means black people weren't involved.
How do people watch that? The art is hideous. It's like anime Big Mouth.
50,000 White men put Man on the moon but some nigress once mopped up a coffee spill and so they made a completely fake "documentary" about her, then used the "facts" to justify putting her name on NASA headquarters.
There was one last year about some Indian bitch and if you actually read even Wikipedia it was her husband who did literally everything.
All according to keikaku.
The image looks horizontally stretched.
The booths idea worked because E3 was initially intended just for the industry and insiders. That only lasted so long.
Yeah the defensive shit of "the demand for racism outpaces the supply!" isn't helping.
What does help is more racism. Seriously. This lippy nig hasn't experienced a fucking moment of oppression in his entire life.
This is from the article:
This is what happens when you ban books, stand against Critical Race Theory, and try to erase centuries of hate. You give future generations the ammunition they need to evolve and recreate racism better than before.
Notice how it’s usually referred to as social justice and not racial justice, as a way to soften the hate. It’s an orchestrated way to distract you from the core issue.
The idea that it takes all of humanity to end racism is not only asinine, but insulting and infuriating. By doing that, you’re taking away the responsibility and necessity of accountability from the ones who created it and actively participated in it.
Read that? Good, read it again.
This guy absolutely hates Whites, he believes now and forever only Whites can be racist, and that he lives in some kind of nightmarish world of infinite racism. The last paragraph is him saying only Whites should be punished for racism.
Going "I'm not racist! I'm on your side!" only empowers him more. Therefore I can only conclude that the opposite is what is needed to fix this.
I'm genuinely not sure how I could hate them more. I literally want them rounded up, given a tribunal for every shit article they wrote where they have to explain themselves, they're given a chance to apologize for their Marxism, and then no matter what they're thrown alive in a fucking oven.
PS: This hatred extends to people who aren't journalists but also work with journalists, like the cameramen.
My hatred for this fucking nig is only mildly tampered by this kid being a sportsball faggot. Get woke go broke, fucking stupid kid.
Compassion and empathy are the two worst fucking traits one could have, I've learned.
Not for nothing but the profile of that account says everything is AI generated. It's written a lot of conflicting weird shit in the last couple days.
https://steamcharts.com/cmp/1091500,1716740,1086940#3m
BG3 had identical playercounts two weeks after launch.
BG3: 814K Aug 5th, 875K Aug 13th, 813K Aug 19.
Starfailed: 330K Sep 10th, 260K Sep 17th, 187K Sep 24th, and it'll be sub-100K this weekend.
Other notes:
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Cyberpunk's playercount came within striking distance of Starfield's before the 2.0 patch even released.
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I don't believe for one second that more than a small plurality of PC gamers are using PC gamepass. 98% of the shit on Gamepass is 8-12 year old garbage everyone's already played and will never revisit again. Oh boy, Age of Empires 2!
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Starfield has been hyped for years, and Bethesda used to be one of those developers, like Blizzard, where they could sell shit on a shingle to their army of retarded loyalists.
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Gamepass is $10/mo. Steam takes 30% of sales. If Starfield doesn't bring new blood to Gamepass, it doesn't make money. Bethesda would need a new player to pay for gamepass for 4 months to match what they'd make selling a full retail copy on Steam.
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Starfield had a $210M budget. Marketing is not part of that budget, it's usually handled by the publisher. If we assume Hollywood figures, marketing is half the budget again, so maybe call it $300M all-in.
It's hard to tell how many copies sold on Steam, we only can see timestamp player counts, but I'm going to guess it was under a million copies. Even a million sales, with $42 going to Bethesda for every sale, makes back only 15% of the game's budget. The playercount is now in "one year old indie game" territory swinging between the 40s and 70s.
I don't buy that this has been anything but a financial bomb for them.
Did they actually bill it that way or was that player hype? I kind of recall actually not hearing a lot of anything about the game except for one video which I don't think sold anything the game wasn't.
I feel the same way about Star Citizen, I'm pretty sure most of the hype I saw was invented by the players when the whole game is a money-laundering Radiant Quest simulator.
I remember people in forums being like "I'm going to be the captain of a cruise liner, and other players will ride around onboard and go to the casino and watch movies and converse!"
Like yeah that's what people want to do in a fucking space game, you retard, sit on your ship and "converse".
That's real shit people were saying, no kidding.
Counterpoint: so does most home address information. You can search county registrars for names and get their address.
And he used his own fucking name lmao.
Even if you wanted to argue it was someone with the same name, that's him in the profile pic.
The blaze of glory part was the entire Arasaka run. Taking on an outlandishly dangerous mission against the most dangerous corporation in the game universe as an amateur seeking not just a payday, but legend status in Night City.
Slotting the chip wasn't even dangerous. They even lay that out. The chip really does nothing, except presumably on some level you might be able to converse with who is on it, but it was only because of the bullet in the head that the chip began rebuilding your brain, but modeling it after Johnny.
The decision to slot the chip was desperation to save the payday. If you left with nothing you'd be a nobody. If you stole Arasaka's most precious secret, you'd be a legend.
Even when Jackie is first shot, the reaction of both of you is the save the chip, because it was the glory you both wanted. Every single starting scenario has you starting as a complete nobody in a city of nobodies (yes even the corporate one, because you're basically cancelled and erased). You were never going to survive Night City and were doomed to struggle and die amongst all the other schlubs. The best to hope for was to leap at a chance, like a promise of a fat payday.
That's like, basically what everything motivating characters in cyberpunk games is about.
Even Fallout New Vegas kind of fell a little short since they had to cut so much of the game apart to make their deadline. The entire Caesar's Legion story line and ending was totally deleted.
I feel like you don't understand cyberpunk as a genre.
Dexter DeShawn literally lays it out for you in the first twenty minutes of the game: "Quiet life? Or blaze of glory?"
Because men have standards and women don't.
A single guy living alone may have a bit of a mess from some clothes laying around, but it won't be a total shit hole.
Women will pile three weeks of dirty dishes in the sink, have a shower with the walls covered with hair and a clogged drain trap, have half finished abandoned "art projects" dumped everywhere, and hoard. Almost all of the hoarding cases I've seen were caused by women.
You're thinking WAY more hard about this than I did
We know. That's kind of his point.
Rimworld's user base is a little based. And Tynan, the lead dev, is apparently a free speech advocate.
I've been able to drop some redpills in the Rimworld discord with some positive response.