Note that in the classic slasher flick the "final girl" spends most of the movie fleeing the killer, before heroically arming herself in the final stretch to face him, typically at great cost and effort.
This whole theme falls flat if the girl is already a super invincible ninja from the start.
I saw this trailer earlier. This is basically the nigress version of Ready or Not, which was already misandrist slop.
What's funny is that even this current year slop can't escape stereotypes. When the nigress is asked how she became so good at fighting, she says "prison", and they show a clip of her chimping out and being violent in prison.
Leftists can't help themselves but be the racists they accuse others of (though I'm sure the movie will attempt to explain away her jail time as being some kind of racial injustice).
90 lb waif black girl with an afro (only hairstyle blacks are allowed anymore) killing men twice her size, gets stabbed in the kidney with a knife, murders child, appears unharmed?
Add a drop of soup to a barrel of sewage, and you get a barrel of sewage. Add a drop of sewage to a barrel of soup, and you get a barrel of sewage.
I don't give Hollywood the benefit of the doubt anymore. They could release a 10/10 with a black female lead and I wouldn't give a fuck. They still wouldn't get my money. I will not do anything that would hint to them that they can start slipping their commie DEI shit back into everything again. Besides, watching them fail and go broke is more fun than watching anything they have put out in decades.
I think it’s sad that that is a well founded assumption (that race plays a role in this movie). I miss the days where I just checked out a show or movie regardless
Do you think they put race quotas in the oscars for the artistic integrity?
They're trying to force a culture change, and the people and producers who forced those rules on oscarbait movies have every reason to force those same rules on gore-slop movies that want to get greenlit too.
No no, that's what I'm saying, if they're dictating those rules to the Oscars, they're also dictating those rules to all their production companies too, they just don't publicly post their in-house guidelines like the Oscars do.
If they're willing to compromise a prestige property like the Oscars to push this agenda, they're absolutely going to be willing to compromise lowest-common-denominator slop just as much, if not more.
Sure to an extent, but I could also argue they like having a more open wild west option for lesser production houses to make money with the counter-culture folks
I rarely watch current stuff. Looks like a horror movie. Considering the times we live in, a message that whites are bad is almost expected
Not every movie. There's always the barely veiled self hatred of obese black women that are the Tyler Perry movies.
Wow, they really still make those
https://www.imdb.com/title/tt33299083/
What am I saying, of course they do, making sequels and remakes is almost entirely what Hollywood does now.
And I see far too many black people cite these movies qa examples of why they hate or fear white people
Note that in the classic slasher flick the "final girl" spends most of the movie fleeing the killer, before heroically arming herself in the final stretch to face him, typically at great cost and effort.
This whole theme falls flat if the girl is already a super invincible ninja from the start.
Exactly.
it's literally the plot of Doom where demons are white people.
warnerbros certainly fits good to netflix if they made that before the merger.
I saw this trailer earlier. This is basically the nigress version of Ready or Not, which was already misandrist slop.
What's funny is that even this current year slop can't escape stereotypes. When the nigress is asked how she became so good at fighting, she says "prison", and they show a clip of her chimping out and being violent in prison.
Leftists can't help themselves but be the racists they accuse others of (though I'm sure the movie will attempt to explain away her jail time as being some kind of racial injustice).
90 lb waif black girl with an afro (only hairstyle blacks are allowed anymore) killing men twice her size, gets stabbed in the kidney with a knife, murders child, appears unharmed?
Stupid mary sue + genocide porn.
Besides the main character being black, there's nothing in the trailer to suggest race is a factor. I thought I saw some black cultist in there.
Add a drop of soup to a barrel of sewage, and you get a barrel of sewage. Add a drop of sewage to a barrel of soup, and you get a barrel of sewage.
I don't give Hollywood the benefit of the doubt anymore. They could release a 10/10 with a black female lead and I wouldn't give a fuck. They still wouldn't get my money. I will not do anything that would hint to them that they can start slipping their commie DEI shit back into everything again. Besides, watching them fail and go broke is more fun than watching anything they have put out in decades.
I think it’s sad that that is a well founded assumption (that race plays a role in this movie). I miss the days where I just checked out a show or movie regardless
I believe it was a white person wearing a mask
Race is ALWAYS a factor in Current Year. This has been explicitly proven again and again.
https://www.oscars.org/news/academy-establishes-representation-and-inclusion-standards-oscarsr-eligibility
Only a moron or shill would deny this.
Do you imagine this movie is vyying for an Oscar?
Do you think they put race quotas in the oscars for the artistic integrity?
They're trying to force a culture change, and the people and producers who forced those rules on oscarbait movies have every reason to force those same rules on gore-slop movies that want to get greenlit too.
Of course, but horror movies aren't going to try to win Oscars. They don't have to follow those rules unless they want to contend for an Oscar.
No no, that's what I'm saying, if they're dictating those rules to the Oscars, they're also dictating those rules to all their production companies too, they just don't publicly post their in-house guidelines like the Oscars do.
If they're willing to compromise a prestige property like the Oscars to push this agenda, they're absolutely going to be willing to compromise lowest-common-denominator slop just as much, if not more.
Sure to an extent, but I could also argue they like having a more open wild west option for lesser production houses to make money with the counter-culture folks