Dude, “Anora” was crowned Best Picture, sweeping five awards. It's a movie about a Russian rich kid who pays a hooker to partake in a fraudulent marriage to secure citizenship. That's the very "BEST" story Pedowood could produce? The Oscars are totally bankrupt.
There's so much amerikwan hubris in that picture that I even dunno. Do they really think that a russian oligarch's kid life is so bad that he'll do everything for a green card?
Or do they think that russian elite escorts are so fugly that he'd fall head over heels for a 5/10 khazar girl without even khazar milkers? Lo-o-ol.
I'm not against that. Although I'd be more into the soundtrack than the sound itself. The music of that movie did something very interesting in fuzzing the line between analog and synthesized in their folkish music. It sounded very new to me and I greatly respect it.
Hilariously, one movie was about not abandoning your soul for a younger body and learning to appreciate aging gracefully, while the other was about glorifying being a whore.
This isn't really a great argument considering the winners for best actress over the past few years: Michelle Yeoh at age 60 in 2022, Jessica Chastain at age 43 in 2021, Frances McDormand at age 62 in 2020, Renée Zellweger at 49 in 2019
No it isn't. It's reddit tier "lol so random" put to the screen, with the mandatory obnoxious girlboss protagonist for the modern audience. And it comes with a bonus obnoxious girlboss as the antagonist. The only redeeming thing about it was that it wasn't a sequel or a remake.
I mean, the randomness wasn't for random's sake. It wasn't like a "holds up spork" shit at the wall willy nilly. There was purpose behind most of the "random" bits, if not for meaning then for at least setup/punchline.
I'm not sure what was obnoxious about either the protag or the antag. They were pretty standard.
Yeah, especially the part with the half naked dudes trying to OH SO RANDOM ram their asses on the giant dildo. That was really awesome.
Fuck that idiotic movie. And no, that wasn't the only thing I found eye-rollingly cringeworthy, it was just the most memorable. Or the (SPOILERS!) everything bagel. So quirky!
That it was based on a total misunderstanding of statistics was actually the least of its problems.
I think you're confusing silly with random. Yes, it was silly, but there was leadup to that, particularly in the display of the trophy early on which was a knock on auditors.
The bagel, I'll give you as a bit too much, and a bit of a blow, but the movie isn't about the silliness. It's about the emotional connection of the characters, which I found to be well done
The whole fucking point was randomness, and random chance, and using random improbable events (except that once they become intentional they cease to be improbable; fucking idiot "I love science!" writers) to hop between universes. So yes, it was explicitly chosen because RANDOM. And simply foreshadowing it doesn't make it good or entertaining.
Was there emotional connection between the characters? I suppose, once you get past them blaming each other for all of their problems, and seeing all of the realities where they're better off if they'd never gotten together. But you can have close connection between characters without an idiotic premise and Whedon-tier Millennial dialogue while completely misusing Michelle Yeoh.
Mmm, "randomness" definitely wasn't the point. Yes, the multiverse events were the driver of the plot, but that wasn't the point of the movie. It centered around relationships and choice.
Was there emotional connection between the characters? I suppose, once you get past them blaming each other for all of their problems, and seeing all of the realities where they're better off if they'd never gotten together.
I'm wondering if you even took in the dialogue or you watched it while scrolling your phone. There was far more to it than this, especially considering the different realities.
Dune 2 won for best sound? Are you fucking kidding me?? I barely heard the movie.
I'm kind of proud that I don't recognize half the names of the nominees in everything.
Dude, “Anora” was crowned Best Picture, sweeping five awards. It's a movie about a Russian rich kid who pays a hooker to partake in a fraudulent marriage to secure citizenship. That's the very "BEST" story Pedowood could produce? The Oscars are totally bankrupt.
There's so much amerikwan hubris in that picture that I even dunno. Do they really think that a russian oligarch's kid life is so bad that he'll do everything for a green card?
Or do they think that russian elite escorts are so fugly that he'd fall head over heels for a 5/10 khazar girl without even khazar milkers? Lo-o-ol.
I decided to see for myself and read the article (normally I wouldn't), and I can safely say I recognize 0 of the names.
I'm not against that. Although I'd be more into the soundtrack than the sound itself. The music of that movie did something very interesting in fuzzing the line between analog and synthesized in their folkish music. It sounded very new to me and I greatly respect it.
I don't remember the soundtrack enough to comment on it. But I think soundtrack has it's own category. I'm glad you liked the music
I'll never understand why people give a shit about awards Pedowood cretins give each other to jerk themselves off.
Not only that, but "awards" that bought and sold based on seniority or hard cash.
I would have a semblance of respect for them if they just gave out awards based on box office.
I don't even care enough to laugh at them.
Bald(ing) black women are literally being genocided by what has gone on this past week. #rustice4rupaul
If it wasn’t for post like these. I would have forgotten about the Oscar’s a while ago.
This post is how I learned it was yesterday. I am rather impressed by myself.
This girl must have suck a mean dick to be able to win.
Hilariously, one movie was about not abandoning your soul for a younger body and learning to appreciate aging gracefully, while the other was about glorifying being a whore.
Ironic.
And this is supposed to make me care about that glorified money laundering scheme?
Oh, the acting award they did give to the movie Emilia Pérez? Cis woman Zoe Saldaña
TRIGGERED
Dammit, I was hoping to see the blowout of a tranny getting Best Actress for that horror show.
Dude was too based
They also gave it to a younger woman instead of older Demi Moore, showing ageism as well.
This isn't really a great argument considering the winners for best actress over the past few years: Michelle Yeoh at age 60 in 2022, Jessica Chastain at age 43 in 2021, Frances McDormand at age 62 in 2020, Renée Zellweger at 49 in 2019
Well it wasn't a serious argument anyways
K
I don't remember any of the Best Picture winners from the last decade or so except Moonlight, which I'm pretty sure was the BLM year.
Everything Everywhere All at Once (a few years back) is fantastic
No it isn't. It's reddit tier "lol so random" put to the screen, with the mandatory obnoxious girlboss protagonist for the modern audience. And it comes with a bonus obnoxious girlboss as the antagonist. The only redeeming thing about it was that it wasn't a sequel or a remake.
I mean, the randomness wasn't for random's sake. It wasn't like a "holds up spork" shit at the wall willy nilly. There was purpose behind most of the "random" bits, if not for meaning then for at least setup/punchline.
I'm not sure what was obnoxious about either the protag or the antag. They were pretty standard.
Yeah, especially the part with the half naked dudes trying to OH SO RANDOM ram their asses on the giant dildo. That was really awesome.
Fuck that idiotic movie. And no, that wasn't the only thing I found eye-rollingly cringeworthy, it was just the most memorable. Or the (SPOILERS!) everything bagel. So quirky!
That it was based on a total misunderstanding of statistics was actually the least of its problems.
I think you're confusing silly with random. Yes, it was silly, but there was leadup to that, particularly in the display of the trophy early on which was a knock on auditors.
The bagel, I'll give you as a bit too much, and a bit of a blow, but the movie isn't about the silliness. It's about the emotional connection of the characters, which I found to be well done
The whole fucking point was randomness, and random chance, and using random improbable events (except that once they become intentional they cease to be improbable; fucking idiot "I love science!" writers) to hop between universes. So yes, it was explicitly chosen because RANDOM. And simply foreshadowing it doesn't make it good or entertaining.
Was there emotional connection between the characters? I suppose, once you get past them blaming each other for all of their problems, and seeing all of the realities where they're better off if they'd never gotten together. But you can have close connection between characters without an idiotic premise and Whedon-tier Millennial dialogue while completely misusing Michelle Yeoh.
Mmm, "randomness" definitely wasn't the point. Yes, the multiverse events were the driver of the plot, but that wasn't the point of the movie. It centered around relationships and choice.
I'm wondering if you even took in the dialogue or you watched it while scrolling your phone. There was far more to it than this, especially considering the different realities.
Is the gay scene actually in the movie? And it was shown in theaters?
Makes sense, they're all whores anyway.