This is bittersweet. Yes, I hate what Hollywood had become as much as anyone here, but what Hollywood represented was the US exercising it's cultural dominance on the world. At one point, this was a good thing. It's just that the cultural output has slowly been poisoned over the 20th century, and in the 21st it had accelerated. This was by design. With the death of Hollywood, and Korea and Japan under an accelerated assault on their cultural output like the US and Europe, India and China will be the primary exporters of media.
True, but for a while they had to still give the public what they wanted. Stories of American exceptionalism, rugged and stoic men along with frantic emotional women who needed to be put in their place. Stories that rebuked communism and extols the virtues of whites and Christianity. Little by little these values were subverted and deconstructed, until the inverse was the industry standard.
India and China will both have a high hurdle imposing cultural domination though, censorship, cultural narrowness, and blatant propaganda doesn't make for a wider audience for their entertainment media in the West.
Which is why if they're smart they'll keep their propaganda subtle, like Hollywood used to. Distract the audience with sexy women and macho men being badass and they'll accept almost anything.
I'm sure if you go back with our knowledge you will be able to spot early propaganda. I sure did in Norris' movies although they're not that old in terms of human lives, they're fairly old in terms of propaganda focuses. Foci...?
The hurdle wouldn't be too hard to overcome, but a lot of it boils down to competence. Does India and China actually have competent and skilled filmmakers?
Films like War from 2019 was one of India's biggest film exports because it was essentially everything that Hollywood USED to make before it turned into pure DEI-slop. But War is a rarity among India's output.
Content wise, both China and India focus on having handsome leads who are stoic and masculine with beautiful female co-stars, but oftentimes the stories are kind of dumb or the production values are inconsistent. I think most audiences wouldn't care about the blatant nationalistic propaganda India and China are known for if the films were actually entertaining, something that Hollywood used to be able to do before being overwhelmed by Liberal Progressive ideologies.
This is bittersweet. Yes, I hate what Hollywood had become as much as anyone here, but what Hollywood represented was the US exercising it's cultural dominance on the world. At one point, this was a good thing. It's just that the cultural output has slowly been poisoned over the 20th century, and in the 21st it had accelerated. This was by design. With the death of Hollywood, and Korea and Japan under an accelerated assault on their cultural output like the US and Europe, India and China will be the primary exporters of media.
Every single major studio was founded by at least one Jew. You may want to revisit your conception of American culture.
Hollywood itself was founded by Jews who didn't want to pay Thomas Edison royalties for his Kinetograph.
True, but for a while they had to still give the public what they wanted. Stories of American exceptionalism, rugged and stoic men along with frantic emotional women who needed to be put in their place. Stories that rebuked communism and extols the virtues of whites and Christianity. Little by little these values were subverted and deconstructed, until the inverse was the industry standard.
India and China will both have a high hurdle imposing cultural domination though, censorship, cultural narrowness, and blatant propaganda doesn't make for a wider audience for their entertainment media in the West.
Which is why if they're smart they'll keep their propaganda subtle, like Hollywood used to. Distract the audience with sexy women and macho men being badass and they'll accept almost anything.
It started so slowly, didn't it?
They got far too confident and now it's all a shishow of leftist pukeworthy propaganda, one gigantic flop after another.
I'm sure if you go back with our knowledge you will be able to spot early propaganda. I sure did in Norris' movies although they're not that old in terms of human lives, they're fairly old in terms of propaganda focuses. Foci...?
The hurdle wouldn't be too hard to overcome, but a lot of it boils down to competence. Does India and China actually have competent and skilled filmmakers?
Films like War from 2019 was one of India's biggest film exports because it was essentially everything that Hollywood USED to make before it turned into pure DEI-slop. But War is a rarity among India's output.
Content wise, both China and India focus on having handsome leads who are stoic and masculine with beautiful female co-stars, but oftentimes the stories are kind of dumb or the production values are inconsistent. I think most audiences wouldn't care about the blatant nationalistic propaganda India and China are known for if the films were actually entertaining, something that Hollywood used to be able to do before being overwhelmed by Liberal Progressive ideologies.
Tel Aviv will just stop outsourcing to Hollywood instead.
Im sure Bollywood is champing at the bit to redeem that sweet propaganda fund.