the best comment - "I think the problem is that the movie didn’t have enough LGBTQIA2S+ representation. There wasn’t nearly enough girl power or black girl magic. Please Disney, we need more diversity. That is what will make people watch these terrible movies. Just put a chick in it and make her gay."
Who's actually making it, who are they making it for, and what is their intent with making it, is the question. I know nothing about that AppleTV series. I just know Godzilla Minus One is made by Toho, mostly for a traditional Japanese audience (but of course welcome international viewing too should they desire to).
Its made for the people who complained about human characters in the 2014 Godzilla movie, as its entirely designed to try and create a super dramatic storyline with monsters as the backdrop. So it'll be praised to the high heavens constantly and then forgotten about a year after its conclusion (like all the Marvel TV shows).
Well given it's Apple it would be purely monetary, I watched the first episode and it was just so slow. One of the problem when they make a TV show from an action film is the pacing is lost and it becomes boring.
I was getting the impression it was a limited sort of screening, but that's not the case at all. Even my local theater has it, and is showing well into next week, so I might go see it on next Tuesday (where they do $5 Tuesday tickets).
Unfortunately - probably unlikely given the ownership ( I asked AI ...)
The biggest shareholders in Disney are the institutional investors who own a large percentage of the company's shares. According to the web search results, some of the top institutional holders of Disney are:
Vanguard Group Inc., which owns 148,893,179 shares, representing 8.14% of the total shares outstanding⁴.
BlackRock Inc., which owns 121,963,009 shares, representing 6.67% of the total shares outstanding⁴.
State Street Corporation, which owns 73,142,473 shares, representing 4.00% of the total shares outstanding⁴.
These institutional investors have significant influence over the company's management and decisions, as they can vote on important matters and propose resolutions at shareholder meetings. They may also buy or sell their shares depending on their assessment of the company's performance and prospects.
The top individual insiders who own Disney shares are the company's executives and directors, who have a direct involvement in the company's operations and strategy. According to the web search results, some of the top individual insiders of Disney are:
Robert A. Iger, who owns 1,150,138 shares, representing 0.06% of the total shares outstanding⁵. Iger is Disney's Executive Chair and Chair of the Board of Directors. He was the company's CEO for 15 years until February 2020, and oversaw the expansion of Disney through major acquisitions and new ventures.
Christine M. McCarthy, who owns 141,301 shares, representing 0.01% of the total shares outstanding⁵. McCarthy is Disney's Senior Executive Vice President and Chief Financial Officer. She is responsible for overseeing the company's worldwide finances and joined Disney in 2000.
Alan N. Braverman, who owns 98,922 shares, representing 0.01% of the total shares outstanding⁵. Braverman is Disney's Senior Executive Vice President, General Counsel, and Secretary. He is in charge of the company's legal affairs worldwide and joined Disney in 2003.
These individual insiders have a personal stake in the company's success, as they benefit from the increase in the share price and the dividends. They may also have access to privileged information that is not available to the public, and are subject to insider trading rules and regulations.
it’s funny they are saying that when all other Disney IPs are failing in a similar fashion. They are literally going back to Frozen to try to save their asses.
Clearly the case. Spider-Man No Way Home came out after endgame and made almost $2.5 billion. People aren’t tired of the superhero genre. They’re tired of leftism.
Disney has learned that bait and switch works. Sorry for long post but here is my synopsis of how it will go:
Starts with Elsa and Anna in their kingdom. Suddenly, black princess (BP) from another country asks for help. Elsa goes and Anna stays as steward to the kingdom. During trip to BP’s kingdom, Elsa learns BP has fire powers and evil white man has invaded her kingdom. Elsa starts having feelings to BP. They go help fight off evil white man but he has McGuffin to protect him from their powers. He kidnaps Elsa, has dialogue stating he invaded because black princess blew up his kingdom (“by accident”). Story now stays on BP for the rest of the film. BP discovers reverse McGuffin, saves Elsa, and Elsa has deeper feelings for BP and kiss.
It's funny you mention anime because this isn't the first time they fallen into the same kind of slump where every anime is the same spam. You go back 10-20 years and every anime was a fighting series of some sort even if they didn't originally start as one. Like Bleach, Shaman King, Yu Yu Hakasho, even Yugioh were supernatural stories until they became fighting shows with ever increasing villains.
Go further then that and every show was inserting giant robots to chase the Gundam fanbase.
It just seems to be once a concept really does well and catch's the public's attention everyone tries to jump on the bandwagon with their spin.
But I was told fatigue set in much sooner! It only took 2/3 Star Wars movies for "Star Wars fatigue" to set in so clearly this would have happened around Iron Man 2 were it the case here! [Some will actually say this is true and that the MCU peaked with IM2.]
the best comment - "I think the problem is that the movie didn’t have enough LGBTQIA2S+ representation. There wasn’t nearly enough girl power or black girl magic. Please Disney, we need more diversity. That is what will make people watch these terrible movies. Just put a chick in it and make her gay."
People at Disney can't even tell that's sarcastic.
Eric Cartman basically runs Disney. ( ''put a chick in it and make her gay'' )
A limited-run Japanese kaiju movie is set to match its opening weekend box office. With ONE-TWENTIETH the budget.
I hope it's better than the Apple TV Godzilla series
Who's actually making it, who are they making it for, and what is their intent with making it, is the question. I know nothing about that AppleTV series. I just know Godzilla Minus One is made by Toho, mostly for a traditional Japanese audience (but of course welcome international viewing too should they desire to).
Its made for the people who complained about human characters in the 2014 Godzilla movie, as its entirely designed to try and create a super dramatic storyline with monsters as the backdrop. So it'll be praised to the high heavens constantly and then forgotten about a year after its conclusion (like all the Marvel TV shows).
Well given it's Apple it would be purely monetary, I watched the first episode and it was just so slow. One of the problem when they make a TV show from an action film is the pacing is lost and it becomes boring.
I saw it with the kid and his friend. I think it's the best Godzilla movie in a very long time. Highly recommended.
I was getting the impression it was a limited sort of screening, but that's not the case at all. Even my local theater has it, and is showing well into next week, so I might go see it on next Tuesday (where they do $5 Tuesday tickets).
Oh yeah, go see it for sure.
Don't forget Rotten Tomatoes got rid of their "want to see" section and implemented verified ratings because of the first one
the incredible majority of phase 4 has been so bad that people don't even go through the hassle to pirate that trash for free.
Shareholder lawsuit, when?
Unfortunately - probably unlikely given the ownership ( I asked AI ...)
The biggest shareholders in Disney are the institutional investors who own a large percentage of the company's shares. According to the web search results, some of the top institutional holders of Disney are:
These institutional investors have significant influence over the company's management and decisions, as they can vote on important matters and propose resolutions at shareholder meetings. They may also buy or sell their shares depending on their assessment of the company's performance and prospects.
The top individual insiders who own Disney shares are the company's executives and directors, who have a direct involvement in the company's operations and strategy. According to the web search results, some of the top individual insiders of Disney are:
These individual insiders have a personal stake in the company's success, as they benefit from the increase in the share price and the dividends. They may also have access to privileged information that is not available to the public, and are subject to insider trading rules and regulations.
Source: Conversation with Bing, 06/12/2023 (1) The Walt Disney Company (DIS) Stock Major Holders - Yahoo Finance. https://finance.yahoo.com/quote/DIS/holders.
Vanguard, Blackrock and State Street are ALWAYS the top investors in any major company. Go look for yourself.
it’s funny they are saying that when all other Disney IPs are failing in a similar fashion. They are literally going back to Frozen to try to save their asses.
And what's the likelihood they fuck that up too?
Safe bet is they’ll add some black character from another country asks for Elsa’s help and they go on adventure. New character has fire powers.
But will they be lesbians?
She will. And lame.
They already added random non-whites to the sequel.
Judging from the subtle anti-hetero, pro-incest messages of the first one I can only imagine how bad it's gotten since.
I don't believe that "superhero fatigue" is a real thing.
I think it's all about the movies being woke trash.
Clearly the case. Spider-Man No Way Home came out after endgame and made almost $2.5 billion. People aren’t tired of the superhero genre. They’re tired of leftism.
They already pozzed Frozen II and they are not going to make the next one White like the first one.
Disney has learned that bait and switch works. Sorry for long post but here is my synopsis of how it will go:
Starts with Elsa and Anna in their kingdom. Suddenly, black princess (BP) from another country asks for help. Elsa goes and Anna stays as steward to the kingdom. During trip to BP’s kingdom, Elsa learns BP has fire powers and evil white man has invaded her kingdom. Elsa starts having feelings to BP. They go help fight off evil white man but he has McGuffin to protect him from their powers. He kidnaps Elsa, has dialogue stating he invaded because black princess blew up his kingdom (“by accident”). Story now stays on BP for the rest of the film. BP discovers reverse McGuffin, saves Elsa, and Elsa has deeper feelings for BP and kiss.
The End
You nailed it.
''Directed by Kathleen Kennedy''
Major studios don't take risks any more. Nothing can be offensive (except to white men of course)
It's funny you mention anime because this isn't the first time they fallen into the same kind of slump where every anime is the same spam. You go back 10-20 years and every anime was a fighting series of some sort even if they didn't originally start as one. Like Bleach, Shaman King, Yu Yu Hakasho, even Yugioh were supernatural stories until they became fighting shows with ever increasing villains. Go further then that and every show was inserting giant robots to chase the Gundam fanbase.
It just seems to be once a concept really does well and catch's the public's attention everyone tries to jump on the bandwagon with their spin.
I feel the Shonen sub genre seemed to take market precedence.
But I was told fatigue set in much sooner! It only took 2/3 Star Wars movies for "Star Wars fatigue" to set in so clearly this would have happened around Iron Man 2 were it the case here! [Some will actually say this is true and that the MCU peaked with IM2.]