The race swap is the litmus test for how well they have normies wrapped around their finger. If the general consensus for the show is, "This show is amazing, who cares if they race-swap a minor character?" then they've already won and will move to the next step.
Their main goal is White demoralisation.
This is accomplished in two ways: force-feeding the audience to accept miscegenation and faggotry.
When they introduce the interracial relationship (typically a fair White female) and faggotry (this could be a lead masculine character to normalise faggotry amongst the lads, or it could be a White female who SHOULD be with a White bloke but will instead end up with another wench just to hammer home that good White men don't deserve a fair White woman (or she has no interest in White men)) then they will have won.
I made some comment about this a short while ago about how the first season is typically top notch to lure people in, but then subsequent seasons are used to further demoralise the audience with typical Liberal Progressive ideology.
This is all predicated on pushing the Overton Window further left.
Right now the zeitgeist have a stranglehold on entertainment media, and seem to be winning when it comes to poisoning the minds of the masses.
Nothing changes unless something upends the current pattern that has been overtly aggressive in its pervasiveness since 2012 (and a long-tail goal that has been in the works since the 1960s).
The race swap is the litmus test for how well they have normies wrapped around their finger. If the general consensus for the show is, "This show is amazing, who cares if they race-swap a minor character?" then they've already won and will move to the next step.
Their main goal is White demoralisation.
This is accomplished in two ways: force-feeding the audience to accept miscegenation and faggotry.
When they introduce the interracial relationship (typically a fair White female) and faggotry (this could be a lead masculine character to normalise faggotry amongst the lads, or it could be a White female who SHOULD be with a White bloke but will instead end up with another wench just to hammer home that good White men don't deserve a fair White woman (or she has no interest in White men)) then they will have won.
I made some comment about this a short while ago about how the first season is typically top notch to lure people in, but then subsequent seasons are used to further demoralise the audience with typical Liberal Progressive ideology.
This is all predicated on pushing the Overton Window further left.
Right now the zeitgeist have a stranglehold on entertainment media, and seem to be winning when it comes to poisoning the minds of the masses.
Nothing changes unless something upends the current pattern that has been overtly aggressive in its pervasiveness since 2012 (and a long-tail goal that has been in the works since the 1960s).