My issue with this is that you have an orchestra of I'm not sure how many, all working in unison, no one person more instrumental than the other. And then you have the conductor, important, but faced away from the audience because his role is not one that distracts from the music.
Then you have some random guy. Absolutely no contribution to the art being performed except his own narcissistic view of his himself, flailing around like he is the show and not that of the art being performed.
niggers are niggers, no matter where you put them or what you surround them with. same behaviors. humorous and entertaining in the right contexts. like a monkey or an angry badger.
My issue with this is that you have an orchestra of I'm not sure how many, all working in unison, no one person more instrumental than the other. And then you have the conductor, important, but faced away from the audience because his role is not one that distracts from the music.
Then you have some random guy. Absolutely no contribution to the art being performed except his own narcissistic view of his himself, flailing around like he is the show and not that of the art being performed.
niggers are niggers, no matter where you put them or what you surround them with. same behaviors. humorous and entertaining in the right contexts. like a monkey or an angry badger.
The art piece is question was actually called: 4 ways to ignore annoying people.
That's why the audience was clapping. They finally mastered the art of ignoring that annoying halfwit.