Casually accepting the presence of non-Europeans in European/Euro-derived societies is absolutely core to The Message. This and bog-standard 1980s era Feminism (e.g. falsely presenting women as equally capable as men) are like 90% of the real problem.

Sure, there's a degree of difference between an African person in the background of a cinematic and a full-on African Transformer in a Wheelchair. One is insidious and subversive, the other is a clown show that's laughable.