The vast majority of comics are vaguely Left to very Left and that has been true for a long time. Its a very insulated industry that basically runs on "who do you know" and nepotism. That's why they did, and continue to, railed so hard at things like Carlos Mencia and the Blue Collar Boys who weren't part of their group. So the unspoken part of their narratives were generally always foundational Leftist.
So those stupid people were always either religious, southern, red voting, racist/sexist or all of the above. The only exceptions were black comics, would could mock other blacks, or Jewish comics talking about Jews.
I think most entertainers are simply rootless cosmopolitan globalists. They want access to as many fans and markets as possible. Almost none of them think of themselves as belonging to a country. Look at sports leagues and Hollywood punishing conservative states while selling out to China. These people are just soulless narcissists seeking worship and validation.
Yeah, I agree. I don't think it's really about wanting access to as big of a market as possible, I mean they do, but I don't think it's the main motivation. I think it's what you said at the end, narcissism and validation seeking. Their in-group isn't their countrymen, it's other comedians. (Commiedians? Hehe)
Just like Hollywood, the major comedy clubs where comics network and work on their craft are owned by jews and they don't give anyone stagetime that goes against their belief. Mitzi Shore of the Comedy Store is a big one. So is Budd Friedman of the Improv, two comedy clubs that both had huge names out of it. Both Shore and Friedman are dead but I'm certain the clubs haven't become any less jewy because of it.
The vast majority of comics are vaguely Left to very Left and that has been true for a long time. Its a very insulated industry that basically runs on "who do you know" and nepotism. That's why they did, and continue to, railed so hard at things like Carlos Mencia and the Blue Collar Boys who weren't part of their group. So the unspoken part of their narratives were generally always foundational Leftist.
So those stupid people were always either religious, southern, red voting, racist/sexist or all of the above. The only exceptions were black comics, would could mock other blacks, or Jewish comics talking about Jews.
I think most entertainers are simply rootless cosmopolitan globalists. They want access to as many fans and markets as possible. Almost none of them think of themselves as belonging to a country. Look at sports leagues and Hollywood punishing conservative states while selling out to China. These people are just soulless narcissists seeking worship and validation.
Yeah, I agree. I don't think it's really about wanting access to as big of a market as possible, I mean they do, but I don't think it's the main motivation. I think it's what you said at the end, narcissism and validation seeking. Their in-group isn't their countrymen, it's other comedians. (Commiedians? Hehe)
Just like Hollywood, the major comedy clubs where comics network and work on their craft are owned by jews and they don't give anyone stagetime that goes against their belief. Mitzi Shore of the Comedy Store is a big one. So is Budd Friedman of the Improv, two comedy clubs that both had huge names out of it. Both Shore and Friedman are dead but I'm certain the clubs haven't become any less jewy because of it.