Actual Discription: Batman is dead, and a powder keg has ignited Gotham City without the Dark Knight to protect it. In the wake of Bruce Wayne's murder, his adopted son Turner Hayes (Morgan) is framed for killing the Caped Crusader, along with the children of some of Batman's enemies: Duela (Keegan), an unpredictable fighter and skilled thief who was born in Arkham Asylum and abandoned by her father, Harper Row (Smythe), a streetwise and acerbic engineer who can fix anything, and her brother Cullen Row (DiChiara), a clever transgender teen who is tired of being polite and agreeable. With the charismatic and hard-charging District Attorney Harvey Dent (Collins) and the GCPD hot on their trail, Turner will rely on allies, including his best friend and formidable coder Stephanie Brown (Lore) and unlikely Batman sidekick Carrie Kelley (Robinson). But our Knights will soon learn there is a larger, more nefarious force at work within Gotham City. This team of mismatched fugitives must band together to become its next generation of saviors, known as… the Gotham Knights.
And this is why radio stations that are little more than the same muzak channels played in grocery stores with commercials are beating broadcast tv.
Aired last night. Didn't watch. The pics are enough to cringe by.
Critical Drinker will definitely shit on it. I find his reviews entertaining but honestly he seems a bit of a populist rather then objective.
Some of the drinker recommends are shady stuff, like Prey or TLOU or even Ragnarok to the point where he just said is "fantasy bro" in response to black scandinavian deities. He also mentioned stuff like we need more representation in movies.
On the other hand he is against "the message".
He accepts some amount of woke in movies to the point I think he does not mind it as long as he likes the plot or is popular.
Being a friend of Mauler does not help, that guy is just a leftist cuck.
My point is that he kind of needs a far left, bad movie to shit on in order to maintain his "centrist persona"
He does not object to woke changes. That is my biggest problem I have with him. He takes them as more of a red flag rather then a minus. Race swaps are not bad on their own, even the lack of white competent men or having women sidelining men as long as the script is ok and no one beats you over the head with propaganda. And while he is not a fan of modern day diversity in fantasy settings he is not that much against it, maybe a passing remark.
So basically he is fine with propaganda as long as it is subtle.
And I think he takes things for popularity on a centrist, maybe right of center. He more or less praised GOW Ragnarok for the story, the story is not that good, a movie with that story would be mediocre, he is a movie critique so he should see that. That was my biggest red flag. The second red flag is being friends with Mauler.
I think he has just been so mindbroken by watching all the garbage as his job that he just sees production value and doesn't even see agenda anymore.
He slavishly praised tlou all faggot episode 3.
Critical Drinker needs to cut down on the drinking, and up the critical.
A bit of exaggeration on my part, he is not against race and sex swaps not if they fit perfectly but if he can find an angle to excuse it and he is pro having tons of gay stuff in movies. He is a leftist willing to call out bad writing. I am at a point that I have 0 tolerance for woke stuff so I can't stand the guy. And my point is that he is influencing The Drinker in the same direction.
I follow those two and many times I’ve thought it would be better to ignore this stuff or focus on retro stuff or independent content.