“Motte and bailey” was probably the most important strategic concept to come out of gamergate. These neo Marxists make appeals to highly defensible behaviors as a strategy to create plausible deniability for their true agenda. Leftist activists know that they must moderate their own radicalism in professional settings in order to avoid galvanizing mainstream opposition to their fucked up ideas, so the goal is always to present as totally normal professionals operating within the totally normal bounds of their various positions.
Of course they need to make changes when adapting the book for film, or the anime for tv, etc. because different mediums are different. Of course.
Of course they need to make changes when localizing media from one nation to another, or one culture to another, etc. because different languages are different.
Of course they need to make changes when remaking or remastering or rereleasing old media because different times are different.
So why is every change in perfect alignment with leftist principles that are roundly rejected by at least half the audience? Why is every change they make in service of the pet ideologies of the localizer, the remaker, the adaptor, all of whom are revealed to be leftist activists by their own posts and tweets?
Leftist activists have learned to occupy the highly defensible “motte”, which is comprised of very rational and sensible arguments that absolutely do not explain the reliably biased outcomes of their own behaviors. The bailey is the wider culture, which leftists seek to control. You cannot challenge them for this land without rooting them out of their motte. You have to prove that they are disingenuous liars attempting to hide their true nature from the people.
“Motte and bailey” was probably the most important strategic concept to come out of gamergate. These neo Marxists make appeals to highly defensible behaviors as a strategy to create plausible deniability for their true agenda. Leftist activists know that they must moderate their own radicalism in professional settings in order to avoid galvanizing mainstream opposition to their fucked up ideas, so the goal is always to present as totally normal professionals operating within the totally normal bounds of their various positions.
Of course they need to make changes when adapting the book for film, or the anime for tv, etc. because different mediums are different. Of course.
Of course they need to make changes when localizing media from one nation to another, or one culture to another, etc. because different languages are different.
Of course they need to make changes when remaking or remastering or rereleasing old media because different times are different.
So why is every change in perfect alignment with leftist principles that are roundly rejected by at least half the audience? Why is every change they make in service of the pet ideologies of the localizer, the remaker, the adaptor, all of whom are revealed to be leftist activists by their own posts and tweets?
Leftist activists have learned to occupy the highly defensible “motte”, which is comprised of very rational and sensible arguments that absolutely do not explain the reliably biased outcomes of their own behaviors. The bailey is the wider culture, which leftists seek to control. You cannot challenge them for this land without rooting them out of their motte. You have to prove that they are disingenuous liars attempting to hide their true nature from the people.
neo-marxists, huh. some of them are that, too, to be sure.