That makes sense.

It loses the color of green either washing it towards yellow (like there is a drought) or towards blue (which probably look alien and I don't think I've seen it done). For an example compare the scenes in Hobbiton from Lord of the Rings with similar ones from The Hobbit. From what I remember is those films were heavily graded and just when the blue-orange thing was reaching a sort of common knowledge so it stood out (at least to me) when Hobbiton was washed a "nice" warm yellow color.

I would insert a couple of screenshots here but I don't actually have a copy of The Hobbit to take one from. I am thinking of when Gandalf and Frodo are riding in the cart heading away from the camera to the foot of Bag End and comparing that with Bilbo running after the dwarves when he wakes up alone on the first morning.

It's worse than that. The mind of the non-basement dweller is deeply attuned to real lighting, and knows when it's seeing a scene where the lighting doesn't look real or is inconsistent. This causes low level psychological stress and tends to throw a person out of immersion in the film. That's why filmmakers pre-2000 used subtle colour grading to set the tone of a film, and it worked incredibly well. Everything from choice of film, lighting temperature, lens filters, etc, were used - subtlely - and they made some of the best movies ever this way.

Today, filmmakers are fucking braindead and artistically bankrupt and just slather on the teal & orange and think "wow that pops!" and out it goes to people's eyeballs.