What does it say about your reboot strategy when the best way to preserve fan interest is to deliberately lie about what is in the show? Instead of embracing the woke feminist direction as something he believes is legitimately good and worthwhile and attractive to viewers, Kevin Smith ran from it as decisively as he could. That's a pretty direct acknowledgement that such content is largely unwanted.
So they know this shit isn't popular, and yet they once again chose that direction. Sorta confirms the notion that most of this leftist idiocy in entertainment is ideologically motivated even to the utter detriment of profit.
With that in mind, I'm thinking maybe the lie wasn't just about duping more people into watching the show. Maybe leftist subversives can't get off unless the old school fans are actually ambushed by the destruction of their favorite franchises. I mean what joy is there in tearing down a man's childhood favorites if he's already resigned to your subversion? If he sees you coming from a mile away, you won't be able to extract the same satisfaction from his muted disappointment and frustration.
Sounds almost insane, but would you really put it past these people? One of the more choice critic reviewers even says that she enjoys the show primarily because she knows it pisses off the old school male fans. That's the level of petty spite and envy we are dealing with here.
If you thought it wouldn't be a dumpster fire, I have to question what the fuck is wrong with you.
I knew it would be shit. It always is.
I plead: Not giving this shit the time of day to thinking about because I grew up with both the original cartoon and the campy live-action movie so why the fuck would I ever need anything else?
Also because modern Smith is a fucking hack so I ignore every piece of his work these days.
The 2000s reboot was pretty good too. I've got the Filmation stuff and the reboot DVDs on my shelf. I doubt I ever watch any of this craptaster.