Just got to thinking about this after those threads on The Expanse and Military Sci-Fi (which admittedly is probably the sub-genre least affected by this trend).
I know the case can be made for the existence of some conservative authors or sometimes conservative themes, of course they exist, but are they “swimming upstream” so-to-speak? Going against the flow of “the mainstream” of Sci-Fi?
I’m not looking for a list of conservative authors by the way, I want to hear if the people here think that Sci-Fi as a genre may or may not have an inherent bias towards the new, the previously unseen, and thus “progressive” ideas and ideologies. Not even necessarily to castigate Sci-Fi, merely to attempt to understand what’s happening.
The “Sad Puppies” folks probably have some insights on this subject but I don’t know much about them beyond their existence and their claim that the Sci-Fi book awards system has been subverted by leftist/progressive ideologues:
https://en.m.wikipedia.org/wiki/Sad_Puppies
Sad Puppies activists accused the Hugo Awards "of giving awards on the basis of political correctness and favoring authors and artists who aren't straight, white and male".
I do see the ideas of sci-if and “progressivism” as connected, but I’m not sure if that’s an inherent aspect of the genre, or if that is perhaps a cultural relic. I lean towards the idea that it is likely largely cultural (i.e. well respected sci-fi authors of old put “culturally progressive” themes in their books about Scientific “progress”, and that has carried on to this day) but I’m interested in where everyone else falls on the subject.
The entire conflict driver of that film is that the replicants don't have human rights, because they aren't human. If they did, then the job of Blade Runner literally wouldn't exist. Did you even watch the film?
Yeah, did you? The main character, who you’ve spent the entire film empathizing with, who seemed human this entire time, and spent the entire movie explicitly thinking he was human, turns out to (maybe?!?!) be one of the “non-humans”. Or at a minimum, he fell in love with one. Classic “it could happen to you” progressive morality play.
Just because something was a cool 80s action movie doesn’t preclude it from containing progressivist notions. Even Die Hard, the “badass” spends the whole movie groveling for his wife to love him again and showing how much pain he’s in, regardless of how much one likes the film, those were progressive notions, woke-for-their-time, certainly for an action hero movie.