Leftists have convinced themselves that their ideas are intrinsic to identities, so opposing those ideas requires you to oppose those identities.
A corollary to this dynamic is that any female or minority protagonist must overcome their challenges by using leftist ideas - like the female protagonist being a slut to own the patriarchy - otherwise the character doesn’t qualify as representative of the identity.
If the gender-swapped 1984 was just 1984 with a female lead, then the book wouldn’t be useful as a vector for disseminating feminist ideology. So the act of gender swapping also necessitates both plot and thematic changes to accommodate the ideology of the female identity.
When you suggest that hiring a female writer might harm the production, the industry crucifies you. Yet they require the production to be radically altered in order to fully represent the “female identity”. You’re basically being gaslit.
Leftists have convinced themselves that their ideas are intrinsic to identities, so opposing those ideas requires you to oppose those identities.
A corollary to this dynamic is that any female or minority protagonist must overcome their challenges by using leftist ideas - like the female protagonist being a slut to own the patriarchy - otherwise the character doesn’t qualify as representative of the identity.
If the gender-swapped 1984 was just 1984 with a female lead, then the book wouldn’t be useful as a vector for disseminating feminist ideology. So the act of gender swapping also necessitates both plot and thematic changes to accommodate the ideology of the female identity.
When you suggest that hiring a female writer might harm the production, the industry crucifies you. Yet they require the production to be radically altered in order to fully represent the “female identity”. You’re basically being gaslit.
Could only be more complete if "she" was a tranny and Ingsoc's slogan was Make Oceania Great Again