Sure, they're a dime a dozen at major production houses and so they get paid pennies.
But we're living in a world where a writer can literally pick up an animation team anywhere in the world and have their story produced, then sell it themselves.
They need studios as little as any script writer has ever needed them.
If they have good stories, they should have no problems.
Consider the modern landscape for writers.
Sure, they're a dime a dozen at major production houses and so they get paid pennies.
But we're living in a world where a writer can literally pick up an animation team anywhere in the world and have their story produced, then sell it themselves.
They need studios as little as any script writer has ever needed them.
If they have good stories, they should have no problems.