I’ve noticed that whenever a piece of fictional media is touted to be “female-led” in terms of the creative team, oftentimes the characters are very much stand-ins for the creators/writers and reflect them in ways that don’t necessarily fit the setting (assuming the setting is not based on a location from the creator’s childhood, which tends to be the case). Even for non-female led projects, it is pretty easy to identify when a character is written by a woman vs a man (Outer Worlds has a character named Parvati that was basically a self-insert that the writer, Kate Dollarhyde proudly bragged about, for example), as they all speak and think from a modern day lens, regardless of whether it is appropriate for the setting or for what the character should be.
Contrast this with male writers who are able to write men and women from different perspectives in a way that attempts to match the setting, and I can’t help but wonder if the ability of perspective-taking is a masculine trait, which could also explain why modern entertainment runs into the issue of incompatible character identities within a setting or very unimaginative characters and settings in general. I expect this to become increasingly common as more and more women (and men embracing feminine traits) enter entertainment industries across all mediums.
Though perhaps this is an issue of increasing mental illness across the board instead. A YouTube video by David Stewart about how terrible of an idea writing a character as genderless is brought up a different perspective, that increasing mental illness (autism in particular) could be a cause for the inability of people to identify with characters that don’t look like them (https://m.youtube.com/watch?v=-i_2kRnSsX0&pp=ygUNZGF2aWQgc3Rld2FydA%3D%3D)
I’m not sure whether there is a definitive explanation, maybe it is a combination of many different factors, but I think it isn’t unreasonable to theorize that women are less capable of perspective-taking compared to men in general.
Imagine a prelegal society where lethal combat and inter-village marauding are constant threats.
There's a strong survival advantage for men who are able to model other people's mental states. Understanding what motivates the man who might be about to kill you will help defuse many tense situations and might give you the edge when defusing isn't possible.
There's no comparable survival advantage for women. A woman in this setting can't hope to interact with deadly men as a peer: she doesn't need to understand men, she just needs to either escape them or obey them, or she will suffer whatever consequences they choose. Seeing other people as stereotypes might in fact be an advantage: treating all scary men the same is probably safer than trying to figure them out as individuals.
Why invest the effort when you know it won't change the outcome?