And showrunners who know better than the author. I can understand some changes here and there but they make drastic changes. I saw the summaries of the episode and no surprise they push the girl power and lgbt stuff. Along with race swaps. Moraine and her best friend end up with men. I’m wondering if they’ll even show that.
I think they're overcompensating because they know they can never write anything as engaging or appealing as the source material, so they end up desperate to leave their stamp on the work. They're willing to see the IP fail just so they can claim any level of popularity as due to their contribution.
IMO it's a bit of this and a bit of plain mean-spirited cultural vandalism, wrapped up in a cloak of self-righteous masturbatory wokeness. The pieces of shit maladapting one beloved cultural property after another seriously seem to have a major hard-on for trying to turn said properties into trashfires to spite both the fans and the original creators, for daring to create (and like) 'problematic' messages - like how a core theme of WoT is that men & women are different but complement each other and need to work together, or literally everything about LOTR from its naturalistic, anti-industrial themes to Tolkien's devout Catholicism and desire to create an Anglo-Saxon natural & cultural myth.
Welp, at least the LOTR fanbase seems a lot wiser & more united in bitter opposition to Amazon's bullshit than the Wheel of Time fans were. I'm still flabbergasted that any among the latter were still surprised that a modern (or rather 'postmodern') adaptation of their source material would turn out so badly this late in the game, but at least their experience has served to further put the LOTR crowd on guard against Amazon. If anyone can turn the latest project of woke cultural vandals into a Cowboy Bebop-tier dumpster fire that gets canceled after one disastrous season, it's probably them.
Definitely, but I think it's motivated by their absolute unwillingness to face their inadequacy. Sure, they do it for the woke points, but would they even deign to lower xirself to work on some shitty nerddom if they could generate their own popular content? Hell no. They definitely hate us, but they need us too, and that makes them hate us even more- almost as much as themselves.
And showrunners who know better than the author. I can understand some changes here and there but they make drastic changes. I saw the summaries of the episode and no surprise they push the girl power and lgbt stuff. Along with race swaps. Moraine and her best friend end up with men. I’m wondering if they’ll even show that.
I think they're overcompensating because they know they can never write anything as engaging or appealing as the source material, so they end up desperate to leave their stamp on the work. They're willing to see the IP fail just so they can claim any level of popularity as due to their contribution.
IMO it's a bit of this and a bit of plain mean-spirited cultural vandalism, wrapped up in a cloak of self-righteous masturbatory wokeness. The pieces of shit maladapting one beloved cultural property after another seriously seem to have a major hard-on for trying to turn said properties into trashfires to spite both the fans and the original creators, for daring to create (and like) 'problematic' messages - like how a core theme of WoT is that men & women are different but complement each other and need to work together, or literally everything about LOTR from its naturalistic, anti-industrial themes to Tolkien's devout Catholicism and desire to create an Anglo-Saxon natural & cultural myth.
Welp, at least the LOTR fanbase seems a lot wiser & more united in bitter opposition to Amazon's bullshit than the Wheel of Time fans were. I'm still flabbergasted that any among the latter were still surprised that a modern (or rather 'postmodern') adaptation of their source material would turn out so badly this late in the game, but at least their experience has served to further put the LOTR crowd on guard against Amazon. If anyone can turn the latest project of woke cultural vandals into a Cowboy Bebop-tier dumpster fire that gets canceled after one disastrous season, it's probably them.
Definitely, but I think it's motivated by their absolute unwillingness to face their inadequacy. Sure, they do it for the woke points, but would they even deign to lower xirself to work on some shitty nerddom if they could generate their own popular content? Hell no. They definitely hate us, but they need us too, and that makes them hate us even more- almost as much as themselves.