What part of music theory encapsulates the doctrines of political correctness? What part of Beethoven's symphonies (enjoyed worldwide by every color of person imaginable) are white? Music belongs to everyone.

I say this as someone who enjoys most forms of music - especially jazz, blues, and fusion. It literally boils down to "a white guy made it, he was super comfortable because he's a colonizer monster so he made complex compositions while eating grapes from the vine - not because he's an actual genius or anything". Unhinge your soylent maw wider cuck. You wouldn't have shit without Beethoven and to deny his place in music history is disgraceful.

And you know what? Trap musicians have it better than Beethoven or any classical musician in history. Even the poorest wear the fabrics of kings and have every resource at their fingertips, sophisticated tools for learning and creating beauty beyond the wildest dreams of any of the greats. Many of them could devote their entire lives to music on welfare and grants alone if they truly wanted and study closely. What do you get? "aaaay uhhh mmmn finna, finna... uhhh... yo bitch on my dihhhh.... uhhh" with lazy ass production. You know how much pain went into jazz? This is what boundless hedonism gets you. Trap music is what unwarranted, unchecked privilege sounds like. It's a "trapped" craft because objective criticism and standards don't exist for it.