Having seen a recent thread discussing the topic, I was making this post for a long while wanting to express my irritation at recent takeover of Japan. As you are aware there were the usual suspects trying to infiltrate and subvert Japanese media and Japan as a whole because the country can function on its own with pretty efficient economy and strong focus on entertainment and technology. What I mean by usual suspects are of course cultural marxists, globohomos and zionists that are dying to infiltrate Japanese culture because they cannot stand the idea that the country is successful and efficient on its own just by being hard-working and homogenic in general without embracing multi-culturalism.

These usual suspects were already intensely envious at the global success Japan had with anime and manga dominating the entertainment market. And what better way to ruin it and at the same time infect Japan with cultural marxism by infiltrating that market posing as a middlemen like localisers, investers and distributers? Did that work fantastically and Japan being none the wiser had no idea how much these middlemen were deviating from the original work from Japan which has been going on for several years too. In the beginning of western branch acting like middlemen for Japanese entertainment, whatever mistakes and misinterpretations that were happening didn't seem like active maliciousness but as more years go by without these middlemen getting punished or reprimanded seemed to have made them very complacent, not just that, with the acceptance of far-left sycophants in the western culture made the whole western sectors crawl with the far-left people who are usually of typical traits, petty, bitter and overly vindictive. And at this point, they are all employed in some big Triple A companies from Japan giving inputs to the clueless Japanese producers that call the shots. Square-Enix, Sega and Capcom in particular need severe cleanup of Westerners. Also recently learned even Granblue game got sort of fucked, hence more of my ongoing frustrations.

Here is the reason why I'm writing this in the first place and why I have been infuriated at the usual suspects. They are right now only attacking Japanese cultures with full force. Right now there seems to be an organised effort to change Japanese culture trying to raise some serious concern but you know this is an actively malicious intention behind this or a jewess trying to insert her ratface to Japanese culture pretending to be Japanese. While all this has been going on for years in Japan, do you ever hear some bad actors from foreign countries trying to infiltrate, subvert or localise Chinese or Korean media? You don't hear much right? Even if you hear some censorship happening, it's probably their own Chinese or Korean Government trying to do the act. This is the whole reason why I'm not all that interested in Genshin, Nikke, Blue Archive or Stellar Blade, all of them largely influenced by anime tropes, they all came and made banks when the western middlemen absolutely wrecked Japanese games with usual limitations while leaving Chinese and Korean games alone.

Seeing so many bad actors in Japan made me suspect there really is a coordinated effort to disrupt Japanese homogenic culture and it seems to have ramped up aggressively in the recent years. And reading this tweet made me wonder if tiny hats are trying to see Japan as the next destination to move to as a last ditch effort since their reputations in the global scale are shrinking down further, so they are trying this desperate pilpul ethnicity doesn't matter if you grow up in another country and usual typical goddamn nonsense. Ever since that miss Japan incident, I was a bit fuming with rage and mulling about how I go about expressing my frustration about this whole thing, the annoyance at the westerners starting anti-japan, anti-anime, anti-female gaze trend and now having infected Japan with woke shit quite handily damaging a lot of successful brands, suddenly embracing and suddenly cool with fanservice and anime culture. I'm also frustrated at Japan but at least I know they are slow to catch up with the western trends due to the language differences.

There are still anti-japan sentiments made by the usual suspects from my observation. I haven't heard anything negative from pronoun bio faggots when Genshin Impact and Nikke were getting success, sure there are a few whiny comments about male gaze and heavy fanservice but they don't seem as intense when I heard in Dead or Alive series (now might as well call it dead due to pandering to faggots) but there doesn't seem to be any sort of infiltration and the attempt to “localise” these games. It could be because they are gacha games so these games depend on providing fanservices without inserting politics. But the success of Elden Ring and Palworld and fervent whinings from the devs and usual suspects made me wonder if they still harbour some kind of grudge towards Japan. The fact that there endless games like Genshin Impact, Girls Frontline, Nikke, Blue Archive, all of them directly influenced by Japanese anime design and got heavy inspiration from likes of KanCollection making banks yet not much outrage from the usual suspects. Seeing all those instances made me furious at not just usual suspects but also west as a whole, more specifically nimby and people that were willfully ignorant about this. Every time we try to stop these usual suspects, they were always there to damage control, just being nuisance. Even if there were some white pills here and there, I do think usual suspects will do their fucking darndest to make as much damage as possible before they get taken over.

Having seen a recent thread discussing the topic, I was making this post for a long while wanting to express my irritation at recent takeover of Japan. As you are aware there were the usual suspects trying to infiltrate and subvert Japanese media and Japan as a whole because the country can function on its own with pretty efficient economy and strong focus on entertainment and technology. What I mean by usual suspects are of course cultural marxists, globohomos and zionists that are dying to infiltrate Japanese culture because they cannot stand the idea that the country is successful and efficient on its own just by being hard-working and homogenic in general without embracing multi-culturalism.

These usual suspects were already intensely envious at the global success Japan had with anime and manga dominating the entertainment market. And what better way to ruin it and at the same time infect Japan with cultural marxism by infiltrating that market posing as a middlemen like localisers, investers and distributers? Did that work fantastically and Japan being none the wiser had no idea how much these middlemen were deviating from the original work from Japan which has been going on for several years too. In the beginning of western branch acting like middlemen for Japanese entertainment, whatever mistakes and misinterpretations that were happening didn't seem like active maliciousness but as more years go by without these middlemen getting punished or reprimanded seemed to have made them very complacent, not just that, with the acceptance of far-left sycophants in the western culture made the whole western sectors crawl with the far-left people who are usually of typical traits, petty, bitter and overly vindictive. And at this point, they are all employed in some big Triple A companies from Japan giving inputs to the clueless Japanese producers that call the shots. Square-Enix, Sega and Capcom in particular need severe cleanup of Westerners. Also recently learned even Granblue game got sort of fucked, hence more of my ongoing frustrations.

Here is the reason why I'm writing this in the first place and why I have been infuriated at the usual suspects. They are right now only attacking Japanese cultures with full force. Right now there seems to be an organised effort to change Japanese culture trying to raise some serious concern but you know this is an actively malicious intention behind this or a jewess trying to insert her ratface to Japanese culture pretending to be Japanese. While all this has been going on for years in Japan, do you ever hear some bad actors from foreign countries trying to infiltrate, subvert or localise Chinese or Korean media? You don't hear much right? Even if you hear some censorship happening, it's probably their own Chinese or Korean Government trying to do the act. This is the whole reason why I'm not all that interested in Genshin, Nikke, Blue Archive or Stellar Blade, all of them largely influenced by anime tropes, they all came and made banks when the western middlemen absolutely wrecked Japanese games with usual limitations while leaving Chinese and Korean games alone.

Seeing so many bad actors in Japan made me suspect there really is a coordinated effort to disrupt Japanese homogenic culture and it seems to have ramped up aggressively in the recent years. And reading this tweet made me wonder if tiny hatss are trying to see Japan as the next destination to move to as a last ditch effort since their reputations in the global scale are shrinking down further, so they are trying this desperate pilpul ethnicity doesn't matter if you grow up in another country and usual typical goddamn nonsense. Ever since that miss Japan incident, I was a bit fuming with rage and mulling about how I go about expressing my frustration about this whole thing, the annoyance at the westerners starting anti-japan, anti-anime, anti-female gaze trend and now having infected Japan with woke shit quite handily damaging a lot of successful brands, suddenly embracing and suddenly cool with fanservice and anime culture. I'm also frustrated at Japan but at least I know they are slow to catch up with the western trends due to the language differences.

There are still anti-japan sentiments made by the usual suspects from my observation. I haven't heard anything negative from pronoun bio faggots when Genshin Impact and Nikke were getting success, sure there are a few whiny comments about male gaze and heavy fanservice but they don't seem as intense when I heard in Dead or Alive series (now might as well call it dead due to pandering to faggots) but there doesn't seem to be any sort of infiltration and the attempt to “localise” these games. It could be because they are gacha games so these games depend on providing fanservices without inserting politics. But the success of Elden Ring and Palworld and fervent whinings from the devs and usual suspects made me wonder if they still harbour some kind of grudge towards Japan. The fact that there endless games like Genshin Impact, Girls Frontline, Nikke, Blue Archive, all of them directly influenced by Japanese anime design and got heavy inspiration from likes of KanCollection making banks yet not much outrage from the usual suspects. Seeing all those instances made me furious at not just usual suspects but also west as a whole, more specifically nimby and people that were willfully ignorant about this. Every time we try to stop these usual suspects, they were always there to damage control, just being nuisance. Even if there were some white pills here and there, I do think usual suspects will do their fucking darndest to make as much damage as possible before they get taken over.

Having seen a recent thread discussing the topic, I was making this post for a long while wanting to express my irritation at recent takeover of Japan. As you are aware there were the usual suspects trying to infiltrate and subvert Japanese media and Japan as a whole because the country can function on its own with pretty efficient economy and strong focus on entertainment and technology. What I mean by usual suspects are of course cultural marxists, globohomos and zionists that are dying to infiltrate Japanese culture because they cannot stand the idea that the country is successful and efficient on its own just by being hard-working and homogenic in general without embracing multi-culturalism.

These usual suspects were already intensely envious at the global success Japan had with anime and manga dominating the entertainment market. And what better way to ruin it and at the same time infect Japan with cultural marxism by infiltrating that market posing as a middlemen like localisers, investers and distributers? Did that work fantastically and Japan being none the wiser had no idea how much these middlemen were deviating from the original work from Japan which has been going on for several years too. In the beginning of western branch acting like middlemen for Japanese entertainment, whatever mistakes and misinterpretations that were happening didn't seem like active maliciousness but as more years go by without these middlemen getting punished or reprimanded seemed to have made them very complacent, not just that, with the acceptance of far-left sycophants in the western culture made the whole western sectors crawl with the far-left people who are usually of typical traits, petty, bitter and overly vindictive. And at this point, they are all employed in some big Triple A companies from Japan giving inputs to the clueless Japanese producers that call the shots. Square-Enix, Sega and Capcom in particular need severe cleanup of Westerners. Also recently learned even Granblue game got sort of fucked, hence more of my ongoing frustrations.

Here is the reason why I'm writing this in the first place and why I have been infuriated at the usual suspects. They are right now only attacking Japanese cultures with full force. Right now there seems to be an organised effort to change Japanese culture trying to raise some serious concern but you know this is an actively malicious intention behind this or a jewess trying to insert her ratface to Japanese culture pretending to be Japanese. While all this has been going on for years in Japan, do you ever hear some bad actors from foreign countries trying to infiltrate, subvert or localise Chinese or Korean media? You don't hear much right? Even if you hear some censorship happening, it's probably their own Chinese or Korean Government trying to do the act. This is the whole reason why I'm not all that interested in Genshin, Nikke, Blue Archive or Stellar Blade, all of them largely influenced by anime tropes, they all came and made banks when the western middlemen absolutely wrecked Japanese games with usual limitations while leaving Chinese and Korean games alone.

Seeing so many bad actors in Japan made me suspect there really is a coordinated effort to disrupt Japanese homogenic culture and it seems to have ramped up aggressively in the recent years. And reading [this tweet] (https://twitter.com/wilfordBRT/status/1751697203972772245) made me wonder if tiny hatss are trying to see Japan as the next destination to move to as a last ditch effort since their reputations in the global scale are shrinking down further, so they are trying this desperate pilpul ethnicity doesn't matter if you grow up in another country and usual typical goddamn nonsense. Ever since that miss Japan incident, I was a bit fuming with rage and mulling about how I go about expressing my frustration about this whole thing, the annoyance at the westerners starting anti-japan, anti-anime, anti-female gaze trend and now having infected Japan with woke shit quite handily damaging a lot of successful brands, suddenly embracing and suddenly cool with fanservice and anime culture. I'm also frustrated at Japan but at least I know they are slow to catch up with the western trends due to the language differences.

There are still anti-japan sentiments made by the usual suspects from my observation. I haven't heard anything negative from pronoun bio faggots when Genshin Impact and Nikke were getting success, sure there are a few whiny comments about male gaze and heavy fanservice but they don't seem as intense when I heard in Dead or Alive series (now might as well call it dead due to pandering to faggots) but there doesn't seem to be any sort of infiltration and the attempt to “localise” these games. It could be because they are gacha games so these games depend on providing fanservices without inserting politics. But the success of Elden Ring and Palworld and fervent whinings from the devs and usual suspects made me wonder if they still harbour some kind of grudge towards Japan. The fact that there endless games like Genshin Impact, Girls Frontline, Nikke, Blue Archive, all of them directly influenced by Japanese anime design and got heavy inspiration from likes of KanCollection making banks yet not much outrage from the usual suspects. Seeing all those instances made me furious at not just usual suspects but also west as a whole, more specifically nimby and people that were willfully ignorant about this. Every time we try to stop these usual suspects, they were always there to damage control, just being nuisance. Even if there were some white pills here and there, I do think usual suspects will do their fucking darndest to make as much damage as possible before they get taken over.

Having seen a recent thread discussing the topic(https://communities.win/c/KotakuInAction2/p/17sOjA6n6n/i-know-nothing-about-this-guy-bu/c), I was making this post for a long while wanting to express my irritation at recent takeover of Japan. As you are aware there were the usual suspects trying to infiltrate and subvert Japanese media and Japan as a whole because the country can function on its own with pretty efficient economy and strong focus on entertainment and technology. What I mean by usual suspects are of course cultural marxists, globohomos and zionists that are dying to infiltrate Japanese culture because they cannot stand the idea that the country is successful and efficient on its own just by being hard-working and homogenic in general without embracing multi-culturalism.

These usual suspects were already intensely envious at the global success Japan had with anime and manga dominating the entertainment market. And what better way to ruin it and at the same time infect Japan with cultural marxism by infiltrating that market posing as a middlemen like localisers, investers and distributers? Did that work fantastically and Japan being none the wiser had no idea how much these middlemen were deviating from the original work from Japan which has been going on for several years too. In the beginning of western branch acting like middlemen for Japanese entertainment, whatever mistakes and misinterpretations that were happening didn't seem like active maliciousness but as more years go by without these middlemen getting punished or reprimanded seemed to have made them very complacent, not just that, with the acceptance of far-left sycophants in the western culture made the whole western sectors crawl with the far-left people who are usually of typical traits, petty, bitter and overly vindictive. And at this point, they are all employed in some big Triple A companies from Japan giving inputs to the clueless Japanese producers that call the shots. Square-Enix, Sega and Capcom in particular need severe cleanup of Westerners. Also recently learned even Granblue game got sort of fucked, hence more of my ongoing frustrations.

Here is the reason why I'm writing this in the first place and why I have been infuriated at the usual suspects. They are right now only attacking Japanese cultures with full force. Right now there seems to be an organised effort to change Japanese culture trying to raise some serious concern but you know this is an active malicious intention(https://archive.vn/qwGn3) behind this or a jewess trying to insert her ratface to Japanese culture pretending to be Japanese. While all this has been going on for years in Japan, do you ever hear some bad actors from foreign countries trying to infiltrate, subvert or localise Chinese or Korean media? You don't hear much right? Even if you hear some censorship happening, it's probably their own Chinese or Korean Government trying to do the act. This is the whole reason why I'm not all that interested in Genshin, Nikke, Blue Archive or Stellar Blade, all of them largely influenced by anime tropes, they all came and made banks when the western middlemen absolutely wrecked Japanese games with usual limitations while leaving Chinese and Korean games alone.

Seeing so many bad actors in Japan made me suspect there really is a coordinated effort to disrupt Japanese homogenic culture and it seems to have ramped up aggressively in the recent years. And reading this tweet (https://twitter.com/wilfordBRT/status/1751697203972772245) made me wonder if tiny hatss are trying to see Japan as the next destination to move to as a last ditch effort since their reputations in the global scale are shrinking down further, so they are trying this desperate pilpul ethnicity doesn't matter if you grow up in another country and usual typical goddamn nonsense. Ever since that miss Japan incident, I was a bit fuming with rage and mulling about how I go about expressing my frustration about this whole thing, the annoyance at the westerners starting anti-japan, anti-anime, anti-female gaze trend and now having infected Japan with woke shit quite handily damaging a lot of successful brands, suddenly embracing and suddenly cool with fanservice and anime culture. I'm also frustrated at Japan but at least I know they are slow to catch up with the western trends due to the language differences.

There are still anti-japan sentiments made by the usual suspects from my observation. I haven't heard anything negative from pronoun bio faggots when Genshin Impact and Nikke were getting success, sure there are a few whiny comments about male gaze and heavy fanservice but they don't seem as intense when I heard in Dead or Alive series (now might as well call it dead due to pandering to faggots) but there doesn't seem to be any sort of infiltration and the attempt to “localise” these games. It could be because they are gacha games so these games depend on providing fanservices without inserting politics. But the success of Elden Ring and Palworld and fervent whinings from the devs and usual suspects made me wonder if they still harbour some kind of grudge towards Japan. The fact that there endless games like Genshin Impact, Girls Frontline, Nikke, Blue Archive, all of them directly influenced by Japanese anime design and got heavy inspiration from likes of KanCollection making banks yet not much outrage from the usual suspects. Seeing all those instances made me furious at not just usual suspects but also west as a whole, more specifically nimby and people that were willfully ignorant about this. Every time we try to stop these usual suspects, they were always there to damage control, just being nuisance. Even if there were some white pills here and there, I do think usual suspects will do their fucking darndest to make as much damage as possible before they get taken over.