Muh objectivism is the midwit, surface-level interpretation of BioShock and its themes. If you want to peel the onion and get to the core of Rapture's creation within Ken Levine's (and thus Andrew Ryan's) head, watch American Krogan's video essays on both the first game and Infinite.

Unlike Levine's shitty Ayn Rand "satire", this theme effuses out of both BioShock games he worked on like stench from a corpse. It's also why he hates BioShock 2 and refuses to acknowledge it.

Muh objectivism is the midwit, surface-level interpretation of BioShock and its themes. If you want to peel the onion and get to the core of Rapture's creation within Ken Levine's (and thus Andrew Ryan's) head, watch American Krogan's video essays on both the first game and Infinite.

Unlike Levine's shitty Ayn Rand "satire", this theme effuses out of both BioShock games he worked on. It's also why he hates BioShock 2 and refuses to acknowledge it.

Muh objectivism is the midwit, surface-level interpretation of BioShock and its themes. If you want to peel the onion and get to the core of Rapture's creation within Ken Levine's (and thus Andrew Ryan's) head, watch American Krogan's video essay on the subject.

Unlike his shitty Ayn Rand "satire", this theme effuses out of both BioShock games Levine worked on. It's also why he hates BioShock 2 and refuses to acknowledge it.

Muh objectivism is the midwit, surface-level interpretation of BioShock and its themes. If you want to peel the onion and get to the core of Rapture's creation within Ken Levine's (and thus Andrew Ryan's) head, watch American Krogan's video essay on the subject.