The whole thing is just so soulless, the project succeeded because Eric July is black and the "counter culture" crowd desperately wanted to prove that they're not racist.
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I felt quite a bit let down when I realized how much of the art is copy pasta 3D assets, and then the barest of texture put over. It's all digital so the 'muh reference' is a lie. He (Cliff) treats each panel like a stage, and drops in the 3D assets, vehicles, furniture, buildings, characters. Then renders it out flat, smears some ClipStudio brush that looks like tire tracks on it. There's almost no actual drawing in ISOM or ISOM 2. Instead of axing Cliff, EJ hires another artist to keep Cliff in line for ISOM 3. I lost interest though.